Hestor Rides Again! Gadzooks!

I’ve been doing a set of therapeutic stretches from a book about conquering carpal tunnel syndrome and, while I’m certainly nowhere near free of the problem, the improvements have been dramatic.  I’m actually hopeful that I’ll avoid surgery.

I’ve already been able to pick up a needle and dust off poor Hestor, who must have thought that his ride through the forest was going to be interminable and the church door forever beckoning.  Perhaps I should add a speech bubble that says ‘Yay!’ or a suitable medieval alternative.   Gadzooks, perhaps?

Anyway, medieval exclamatory notes aside, as the Hestor that I’m working on is technically ‘son of Hestor’ or ‘Hestor Mark II’, the original attempt that started in cotton perlé having been abandoned in favor of a complete restart using 100% silk in a bid to stave off hand strain, I am aware that I haven’t posted any pictures of the work in progress.

Here he now is.   Comparison with my earlier post of the cotton WIP is not strictly fair, because I’d advanced further into the design with Hestor I.   I think there is now, however, sufficient stitching in Hestor II (The Return of the Prodigal Hestor) to reveal him to the world.  Well.  To my blog readers…which basically means to my mum and a few kind friends, plus those brave, brave souls who’ve decided that I’m worth following.  Thank you, by the way…not just for following me (and I definitely DO NOT do the Prime Minister’s victory dance from Love Actually whenever this happens, though it is tempting) but for the revelation of your own interesting and talent-filled blogs in the process.

Anyway, without further ado…here’s the Prodigal Hestor (work in progress)

Hestor WIP

Hestor, WIP

Some of his lines look a little wobbly, but that’s more because he’s slightly unevenly stretched at the moment, for various reasons.

And here’s a close up of some of the stitching so far.   I like to think that this is much better than the cotton version of same.  Your opinions are gratefully sought on this score.

Hestor, detail, WIP

Hestor, detail, WIP



Today I completed the illuminated A that I’ve been working on for a couple of weeks and which got delayed somewhat by tendinitis – now substantially better.

It’s a fairly simple execution rendered in laid and couched, surface couched and split stem stitches, with some French knots.  As always, there are things that I’d change if I could – I don’t think we can ever let go and think of something as perfect, because the never ending drive for self-improvement and increased skill leads us to be analytical about what we produce.  That’s my excuse at least for asking my husband for his opinion incessantly; I shall have to be careful or he’ll want to be credited as a design consultant!

As for the inspiration for this particular embroidered letter, well that is a little complicated.   In essence, it is loosely based on an illuminated capital letter which appears in the Estoire del Saint Graal , Amsterdam Bibliotheca Philosophica MS 1, volume i.   Readers familiar with the Arthurian legend may more easily recognise this as the Prose Lancelot or volume i of the Vulgate Cycle, an important precursor to the more famous and accessible works of Sir Thomas Malory.  I picked it initially (no pun intended for those of you groaning at this point) because I just liked the combination of colours.  I saw it and my mind went to work.   However, once I was actually stitching it, I realised that my selection of this letter could also be seen to be symbolic of several aspects of my personal history.

– The colours are red, white and blue.   These are the colours of the Union flag of the United Kingdom, which is of course my country of origin.   They are however also the colours of the United States of America, which is now my adopted country.   As an aside, I still haven’t got over the fact that I can call myself a ‘legal alien’, though my husband has several times told me that I have insufficient tentacles to meet the widely accepted standard for aliens.  Clearly, I have continued room for improvement!

– A of course could stand for America (see above) but also for Arthur (as in King), the chap responsible for at least some of the raison d’être for Ars Quondam, which also begins with A.

I shall just have to assume that my subconscious is a lot more clever than I give it credit for.

Loosely based on an illuminated A in Amsterdam, Bibliotheca Philosophica MS1, vol i.